Reviews and more
“ moody as a moonlit street, and instantly recognisable ”
Ivan Hewitt, Daily Telegraph March 2012 review of OCDC
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“ mixes the spirit of Ornette Coleman with the electric thump of indie rock… OC DC is their most convincing yet ”
John Bungey, The Times April 2012 review of OCDC
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“ grinding, hypnotic basslines…strong melodies.. Sometimes flirting with dub and a cerebral brand of fusion that recalls Soft Machine ”
John Lewis, Uncut May 2012 review of OCDC
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“ mixes scorching rock with Ornette Coleman-like sax and much more besides to thrilling effect ”
John Fordham, The Guardian March 2012 review of OCDC
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“ OCDC reveals Get The Blessing as a contemporary music combo with even more delicious potential than we realised ”
Tony Benjamin, Venue Magazine March 2012 review of OCDC
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“ Get the Blessing deliver daft between-tunes gags with a winningly apologetic resignation, but there’s nothing resigned, apologetic, or frivolous about their music ”
John Fordham, The Guardian March 2013 live review
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“ Take one trumpet, one sax, a modicum of electronics and see what magic you can create ”
Mike Collins, London Jazz News March 2013 live review
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“ …they may well be the most original and exciting band on the British scene at the moment ”
Duncan Heining, Jazzwise Magazine live review
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“ GTB harness rock and jazz with uncompromising power ”
Mike Flynn, Time Our live review
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“ És un so diferent que deixa els sibarites del jazz convençuts d’una gran troballa, potser la mateixa sensació que va tenir el primer europeu que va tastar a Amèrica la xocolata ”
Ara Estiu, Spain live review
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